Cartoons Retirement For Women

After seeing all the scene, it looks like Vincente Minnelli, who committed this film in 1953, he should love above all the musical as it is turned, or produced, within thirty to forty years, when she was, in the words of its main character Tony Hunter, a show written and chic enough to attract the cream of New York on the sidewalks of Broadway then "the center of the mind" , the very one he would not be when the merchants of hot dogs and slot machines have entered the temple of culture. To think that the filmmaker, of course there is this statement that the old glory of the operetta what Tony Hunter will throw the ears of Lester and Lily Marton, this couple who, because he is their friend and they both are writers, has vowed to revive his career, a career that ultimately only the journalists were barred, the public had the sole charge against him but his sheepish attitude, and hoping to do, of course, the best way possible as the scenario that should be their catapult was built with good taste to include any new issue in the fine tradition of the genre, which, incidentally, Vincente Minnelli was attached to do here and succeeded perfectly, because if the rest of the Fred Astaire Swing Time could very well lead to his blonde partner Ginger Rogers in the romantic Dancing in the Dark, this feast of dance, the visual pleasure, it might as well endorse the three-piece suit and the hero of the stunning and very creative Girl Hunt: A Murder Mystery in Jazz since found in Swing Time Waltz in Bojangles of Harlem and the excellent film by George Stevens, the exact counterparts of these two numbers. But to think that the filmmaker, there are much better, or rather I should say, much worse.

Worse, in fact, because in addition to this speech given by Tony Hunter, a speech which, besides the fact that it clearly defines the blessed time of the musical, also said of his descendants it is a sad heiress, and this pic unchecked, this time by the filmmaker during the first stage, top hat and cane-form that sees and here, if I may say so, as the hallmark of our heroes that the distinctive emblems of the dancer's musical before time, not to find buyers at their sale, not even for the modest sum of 50 cents, encouraging us, through irony, to measure the full extent of the fickleness of the public and his total disinterest in a genre that the filmmaker was particularly attached, yes, Alongside these two sequences arguing, after all, legitimately for the musical before time, the Top Hat as one, going back to Vincente Minnelli, the Song of Missouri, although in this film shot in 1942 we cry laughed more than we can find something that personally I would prefer not to see the cause of music from the time before that I defend, my taste for romance on their own good and pleasure that I 'feels each time to see the elegant Fred teasing from the floor polish his shoes, when they arise there, and partner with great bursts of bright smiles and so exquisite intertwining size for her to hesitate between the sketch and preliminary gallant love me forcing surely does not justify, in my opinion, that uses any means to defend it.

Indeed, I found the inflated idea, not that of making the musical the good old days before, or those derived from them - and those, Tony Hunter, with its beautiful statement to Marton, who drew a line input on the final Broadway after his disgrace - the equal of the classic tragedy, for I too I like to say as Jeffrey Cordova, the brilliant director Marton that chose to mount their show, so great the rest "that everything he touches succeeds,"
"there is no barriers put between tragedy and operetta, and that everything that moves us, stimulates us or distracted, it's theater ", but that of being party to this, which will, however, nicely metaphor for Vincente Minnelli, Gabrielle Gerard, the classical ballet dancer and symbol of culture scholar here, not surpassing in size Tony Hunter, the sign of popular culture, thanks to her high heels, and have proceeded to follow him three or four numbers sorcerers, even those that Marton and Tony Hunter will create when they will resume control of their show, Jeffrey Cordova in have diverted from its original purpose, which led to the fiasco, so that any viewer can, at the time of the finale, and how it does not say it because, thanks to these three or four enchanting numbers It will then experienced the full range of emotions, both the romance with Dancing in the Dark, with irresistible laughter and adventure with Triplets the dazzling Girl Hunt, answer yes, yes, yes, a thousand times yes to Tony Hunter and his merry troupe when, in the end, they all said in chorus that the theater is a spectacle that must be full of highlights ardor, that theater is "a song that gives wings or a dance that ends in romance and not

" the dead of Macbeth or the torture of Camille ", and finally that the theater does it should be that of entertainment, the world is because, after all, this whole way of doing things is neither more nor less than to impose a point of view, force the hand the viewer.

course, as Rabelais said, laughing is proper to man, a quote from Jeffrey Cordova is not contradict since stepping down as director to become a serious dancer in the troupe of comic Tony Hunter

admitting he clearly had "wrong direction" but deuce, there is also joy to rub the dead Macbeth. Is not it? Let's drink to nonsense

high, O thou my lovely!