must see films of Bela Tarr, "I read somewhere. And I totally agree, the films of Hungarian director, complex, offering excellent opportunities to make this wonderful tool we all have What the brain, opportunities are given to us, of course, when undertaking these completely blank knowledge of others. must see films of Bela Tarr said so somebody somewhere, but does it take to write all over, when, like me, you do deals that so completely intuitive? Is that any knowledge of what has been said and written about them by the specialist press, we could, by writing tickets that are merely the product of a strictly personal reflection, significantly lessen or misunderstand, the work of the brilliant filmmaker. Which, admittedly, would be very unfortunate because in doing so we do not serve. But at the same time, we do a disservice not as if, to avoid the shame of a ticket "light" vanity when you hold us!, Were silent, the artist, whoever he may be having, I think, still need echoes, echoes favorable or not, to continue his journey? And to dare this post, I finally committed, there was still the phrase of Dostoevsky who said it was better to hear something stupid original truth that say a thousand times and of course the very strong desire leaving a trace on this blog, a fabulous movie I had seen entirely surrounded by the arms of my beautiful.
Near my
Belle, it's good, feels good, feels good,
Near my Belle
good it is to sleep.
Let's away, this post will be shorter than usual. And because I had to leave out the Bela Tarr theorist of his art, because there is no doubt that here in these Werckmeister Harmonies he turned in 2000, it has indeed been since the film, whose action is already unplaceable, even if the desolation and rain sodden in which it takes place more reminiscent of Eastern Europe than in the West - but they really refer to, where are they setting for a melancholic tone and strengthen the film's desperate? - Seems to manage time in a manner which is clean, in fact as if it was not what it typically receives in a movie theater, the scenes that compose it, in addition to not having free of continuity between them, seeming sometimes drag on, the point is to cause discomfort as they linger, as they insist to show anything that the viewer has been long assimilated completed - I am thinking of the endless passage of the trailer that contains the dead whale, as I still think of the equally interminable ballad that János and Eszter will take to save their town from barbarism.
That said, I laugh a little of this theory on the time spent in the cinema, all innovative and attractive as it is, because my time is measured to me that I have left to live. And then, my taste for me, my preference to me, looks like the singer, goes to the people or rather what they convey. And I confess with János Valushka, the main character of the Bands Werckmeister, I was amply served."Music She who makes the least real key to the depths of the soul. Who made it so? "Said
It pleased me that this type of result. For it is man basically good, as could be the Prince Myshkin of good old Fedor. The rest is the same infinite goodness, a little naive and totally unselfish, which pushes the hero who does not really have one done by a band of drunken scene, which, if they may seem totally ridiculous them to ape the universe, the earth's rotation around the sun and the rotation of the moon around the earth, will nevertheless make them understand that they are also, despite their marginality, integral and harmonious universe, part of the universe in harmonious effect because under layers of grime then appear illuminated faces of beautiful humanity, and that their personal chaos, the result of universal chaos and bad luck, is passenger, as can be an eclipse of the sun, János, good, not having forgotten to include in his pantomime phenomenon long feared wrongly.
As it is the same innate goodness and without calculation that will encourage this gentleman to take care of Eszter renowned musicologist although this would not merit so much attention on his part to try to prove since his piano harmony belongs to God and to Him alone, the harmony, the music is made, not being reached with a tour of mathematical sleight invented in the 17th century by theorist Andreas Werckmeister. Incidentally, I would say this sequence, which denies any divine music, which returns the man to a little more solitude and disharmony, the heavenly bridge is only the product of a smart brain, she responds negatively to a scene found in a film of Andrei Tarkovsky:
That said, if I like János Valushka well with his natural goodness and faith that lives, for no doubt that he believes in God - is he not in fact the only inhabitant of this city had the courage to face this giant whale that was exposed on the main square, protecting the faith of death, that death is it first? Moreover, to know that rest of the soul that others will seek the destruction, ruin can also offer it to the extent that, all things being destroyed, there is nothing left to do or to think, to realize that ultimately they will have done everything in vain, fear of nothingness of death is exactly what they wanted to flee, the overtaking, the performance by a gaunt old man standing in a bathtub next to evoke death and inevitable, reminding them, is it not also by only one who can tell the little prince, this little prince will certainly never do that but we can still say that he is advocating the destruction of darkness, he is one who knows, since the miracle of faith, for him death is not the end of everything? - It's also because this goodness that gives freely acts on him as a real trap. 
