With all due respect to certain operas filmed as they make films, I think particularly those that featured the late Jean Pierre Ponnelle and especially its Mitridate, Re di Ponto Mozart, Mozart, while she then more the voice service of its performers as its own voice, the reverse would come after, I always keep a clear preference for the opera which is given on a stage. The reason, it comes from the song, the song itself, because this song, then that is not whispered tips of teeth, mimicked, aped, from a pre-recorded soundtrack, can, for example, give to air the true fury of rage that suits this tune, as evidenced by Marilyn Horne who plays in this picture, which would ask me a good five minutes to capture the lead role of Orlando Furioso by Vivaldi, an opera, of which I like to say in passing, that would have seemed well boring without the presence in its generic of the sublime mezzo soprano. To be honest my thinking about this Orlando Furioso given for the first time at the Theatre Sant'Angelo in Venice in 1727, but I heard Antonio has heard that Marilyn.
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