"The morning was back, he still was not there, stayed out all night. I was so proud to have the most beautiful boy in the neighborhood, me lame. "So wrote
Gervaise, the heroine of the beautiful film by Rene Clement, they find, from the balcony of his modest apartment, Lantier Lantier her, had slept out for the first time. Across the street, three people were watching and behind their window was much amused by his torment, and they have a very good reason to do so, in fact, the best as the worst since the trio mocking, to be composed of her husband and two pots - Adele and Virginia - with whom he had spent the night, was the source of his torment, the torment that since it would show a balcony so you can not naive. A little later, indeed, when the bird join her nest, Gervaise, despite her anger and great sadness to know all the dirty way that his companion had "return the ladies' , forgive him once again. "He had only to look at me, to smile, so I say: it's good" would recognize it, in fact, a little defeated.
Alas, this would be where one of the many half-truths that are said about himself, a veil, in fact, asked by her on her ignorance by itself but it can the least the reproach, some traits can not be found if circumstances warrant and actual perception belongs mostly, if not always, only one neutral observer.
For that girl, laundress by profession, what chance rimerait with laundry and with Virginia, that before anyone else's flight with his sister Adele Lantier, pretend to wash his dirty laundry for the sole purpose of taunting, as to the truth she would not learn about it, fan forced too, like all of us, blind to itself, it would come out of a victory or a triumph, Virginia, and then she undress spank in front of all walking off the laundry could not be more humiliated, and she would name: hubris. Pride in effect as any other feeling that pride might have prompted this young woman to take revenge so brutal? Similarly, was it not rather the self-esteem than love itself that made him both love Lantier, the man whose hobby was "turn the ladies' and whose profession was that of not absolutely nothing to do? "I was so proud have the most beautiful boy in the neighborhood, me lame. " this I was so proud and it me, speaking so lame themselves that the comment would be wasting his time. Virginia would go back
When the laundry, buttocks reddened by the dolly shots and let it float in the air a heavy cloud of threat, a heavy cloud of threats that it would expel from its mouth by a vengeful "You find me, hide cow " is not therefore the small army of Gervaise feelings of pride that, so far used his personal ambitions and legitimate, will hurt them, the enormity of the pride she has for her, to underpin each his actions, at least those committing on behalf of his success, finding only interlocutor as the exaggerated pride for others, pride will not escape him either, at beast principle that we reap what we sow, as demonstrated elsewhere in Virginia as the desire to kill him. That said, when you know you can never know what dirty slope on our own self-esteem could we drag, we have a little trouble making up his sin. To be quite frank, we should even be able to say we love this Gervaise, her pride a little excessive, the dominant factor in his fatal destiny, with a few acquaintances with ours and like ours, it is not without Nor the one hand that she did nothing wrong.
For that's the saving hand of pride that gave birth to his idea of marriage, a desire that the least we can say is that it comes as a logical extension of this voluntary "I defend myself alone, "she issued after converting Virginia nemesis. Chosen Coupeau this honest worker, nice and even "beautiful" , this man whose only fault was, ultimately, to have parents that wicked villains because of the gold they were working " Gervaise seems to have learned from the rest of the episode Lantier-needed lesson. Unfortunately, after a happy marriage, during which all her little world was in the Louvre, many laugh at the Kermesse Rubens without realizing that it would do so at his expense, a wedding night damn charming to decline in September (for household) in its of ssous, and a harmonious life together rather to be crowned by the birth of Nana, the savings would be used by Gervaise way his dream of becoming the owner of a laundry but to treat her husband fell from a roof. Guided by its prideful desire to succeed, only a rental shop could appease Gervaise would accept the five hundred francs generously lent by Goujet by the blacksmith who was decidedly not like the others not to laugh at nothing, " thinking about something else " and give her money without any guarantee of finding him one day but whose role here is primarily one to say that life never assembles those who should be, Gervaise and if alive, in first contact, when both magical and tragic as these events always cause that arrive too late. To accept the offer of a blacksmith, it would Thus, without knowing more than one piece in the infernal machine that would take him to the bar where alcohol ingested in high doses, knocking him permanently, because that money she could never repay, Coupeau that his accident turn into such ribald drunken, drinking a lot of the benefit that his business at its inception rather flourishing absolve.
But when we surprised at the resemblance between Maria Schell, masterly in the role of Gervaise, and what was that other great actress Romy Schneider, behold Coupeau, which was already amazing to pass the time of a fall and a convalescent status as an honest man to drunkard's patented one, even more surprising to Lantier, who is back in the area, his friend to life death. Is that it feels like the novel, one, to make us believe that a husband can shelter under his roof the former partner of his wife. And we think of course, since this union, but concluded against nature established in the early exchange of looks, have no explanation other than the sacred masculine friendship, this string of characters that were created for the sole purpose of pressing a speech by one of fate, destiny deleterious combination of unpredictable and pride that blinds.
Because it was necessary for that Gervaise could fall into its hole, either to the High Mass on the fatality could be said that Lantier Coupeau and make friend-friend. Indeed, after the departure of his son Etienne learning and Goujet who accompanied him, treasures of love, it seems precious treasures, a tear that pique the viewer's eye, "he n 'There were these two guys to clean my life Gervaise had more than his shop to cling to its existence and it was necessary to drop it, someone cut the wire. By itself, there would Coupeau failed, the laundry has always provided the household income, even in difficult times. Returned by Virginia rather disingenuous vis-à-vis Gervaise to conceal his vengeance, his "You find me, cowhide" , under an air of affable and round leg e n I want you two 'll give you three , Lantier, toy in his hands and transformed by these two skillful manipulative in Lethal Weapon, play perfectly the role of dead weight, the weight of too many of those weights which prevent the gates of a shop to be identified. But before knowing his financial ruin, moral and physical, the small Gervaise not even contempt of those nights of love are stolen on a complete disarray, and, to a purlin, where Coupeau squander the fruits of his labor mouthed, straight as a round as I and two O " I drink your sheets, I drink your sheets! ", the stupidity of people in their ability to put in a scene of tragedy enough room for laughter.
And hey, it's also why we must love Gervaise.
Gervaise, the heroine of the beautiful film by Rene Clement, they find, from the balcony of his modest apartment, Lantier Lantier her, had slept out for the first time. Across the street, three people were watching and behind their window was much amused by his torment, and they have a very good reason to do so, in fact, the best as the worst since the trio mocking, to be composed of her husband and two pots - Adele and Virginia - with whom he had spent the night, was the source of his torment, the torment that since it would show a balcony so you can not naive. A little later, indeed, when the bird join her nest, Gervaise, despite her anger and great sadness to know all the dirty way that his companion had "return the ladies' , forgive him once again. "He had only to look at me, to smile, so I say: it's good" would recognize it, in fact, a little defeated.
Alas, this would be where one of the many half-truths that are said about himself, a veil, in fact, asked by her on her ignorance by itself but it can the least the reproach, some traits can not be found if circumstances warrant and actual perception belongs mostly, if not always, only one neutral observer.
For that girl, laundress by profession, what chance rimerait with laundry and with Virginia, that before anyone else's flight with his sister Adele Lantier, pretend to wash his dirty laundry for the sole purpose of taunting, as to the truth she would not learn about it, fan forced too, like all of us, blind to itself, it would come out of a victory or a triumph, Virginia, and then she undress spank in front of all walking off the laundry could not be more humiliated, and she would name: hubris. Pride in effect as any other feeling that pride might have prompted this young woman to take revenge so brutal? Similarly, was it not rather the self-esteem than love itself that made him both love Lantier, the man whose hobby was "turn the ladies' and whose profession was that of not absolutely nothing to do? "I was so proud have the most beautiful boy in the neighborhood, me lame. " this I was so proud and it me, speaking so lame themselves that the comment would be wasting his time. Virginia would go back
When the laundry, buttocks reddened by the dolly shots and let it float in the air a heavy cloud of threat, a heavy cloud of threats that it would expel from its mouth by a vengeful "You find me, hide cow " is not therefore the small army of Gervaise feelings of pride that, so far used his personal ambitions and legitimate, will hurt them, the enormity of the pride she has for her, to underpin each his actions, at least those committing on behalf of his success, finding only interlocutor as the exaggerated pride for others, pride will not escape him either, at beast principle that we reap what we sow, as demonstrated elsewhere in Virginia as the desire to kill him. That said, when you know you can never know what dirty slope on our own self-esteem could we drag, we have a little trouble making up his sin. To be quite frank, we should even be able to say we love this Gervaise, her pride a little excessive, the dominant factor in his fatal destiny, with a few acquaintances with ours and like ours, it is not without Nor the one hand that she did nothing wrong.
For that's the saving hand of pride that gave birth to his idea of marriage, a desire that the least we can say is that it comes as a logical extension of this voluntary "I defend myself alone, "she issued after converting Virginia nemesis. Chosen Coupeau this honest worker, nice and even "beautiful" , this man whose only fault was, ultimately, to have parents that wicked villains because of the gold they were working " Gervaise seems to have learned from the rest of the episode Lantier-needed lesson. Unfortunately, after a happy marriage, during which all her little world was in the Louvre, many laugh at the Kermesse Rubens without realizing that it would do so at his expense, a wedding night damn charming to decline in September (for household) in its of ssous, and a harmonious life together rather to be crowned by the birth of Nana, the savings would be used by Gervaise way his dream of becoming the owner of a laundry but to treat her husband fell from a roof. Guided by its prideful desire to succeed, only a rental shop could appease Gervaise would accept the five hundred francs generously lent by Goujet by the blacksmith who was decidedly not like the others not to laugh at nothing, " thinking about something else " and give her money without any guarantee of finding him one day but whose role here is primarily one to say that life never assembles those who should be, Gervaise and if alive, in first contact, when both magical and tragic as these events always cause that arrive too late. To accept the offer of a blacksmith, it would Thus, without knowing more than one piece in the infernal machine that would take him to the bar where alcohol ingested in high doses, knocking him permanently, because that money she could never repay, Coupeau that his accident turn into such ribald drunken, drinking a lot of the benefit that his business at its inception rather flourishing absolve. But when we surprised at the resemblance between Maria Schell, masterly in the role of Gervaise, and what was that other great actress Romy Schneider, behold Coupeau, which was already amazing to pass the time of a fall and a convalescent status as an honest man to drunkard's patented one, even more surprising to Lantier, who is back in the area, his friend to life death. Is that it feels like the novel, one, to make us believe that a husband can shelter under his roof the former partner of his wife. And we think of course, since this union, but concluded against nature established in the early exchange of looks, have no explanation other than the sacred masculine friendship, this string of characters that were created for the sole purpose of pressing a speech by one of fate, destiny deleterious combination of unpredictable and pride that blinds. Because it was necessary for that Gervaise could fall into its hole, either to the High Mass on the fatality could be said that Lantier Coupeau and make friend-friend. Indeed, after the departure of his son Etienne learning and Goujet who accompanied him, treasures of love, it seems precious treasures, a tear that pique the viewer's eye, "he n 'There were these two guys to clean my life Gervaise had more than his shop to cling to its existence and it was necessary to drop it, someone cut the wire. By itself, there would Coupeau failed, the laundry has always provided the household income, even in difficult times. Returned by Virginia rather disingenuous vis-à-vis Gervaise to conceal his vengeance, his "You find me, cowhide" , under an air of affable and round leg e n I want you two 'll give you three , Lantier, toy in his hands and transformed by these two skillful manipulative in Lethal Weapon, play perfectly the role of dead weight, the weight of too many of those weights which prevent the gates of a shop to be identified. But before knowing his financial ruin, moral and physical, the small Gervaise not even contempt of those nights of love are stolen on a complete disarray, and, to a purlin, where Coupeau squander the fruits of his labor mouthed, straight as a round as I and two O " I drink your sheets, I drink your sheets! ", the stupidity of people in their ability to put in a scene of tragedy enough room for laughter.
And hey, it's also why we must love Gervaise.
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