I could tell in long, wide and throughout history Royal Wedding, this musical Stanley Donen committed in 1951, but if I did, if I started to develop, in vivid detail the adventures of Tom and Ellen Bowen, this dancing couple who are brother and sister in life and just as brother and sister in their desire to preserve the marriage, the first because he'd much rather dance and comfortable quiet of his single life and second because it, too, much prefer him dance and loves those who are not binding to live without the lower end of the contract, I would just serve this film, since the only thing I would reach this that would have highlighted the extreme flatness of the plot concocted by Alan Jay Lerner, and to be flat it is even sometimes twice a day, as is the rest that most of the fireworks man was employed for a little spice, they are the comic or sentimental area, yes, all or almost all, like the splash blocks are falling into the pool without splashing person, I think including the pair of Funny formed by Irving and Edgar Klinger, both managers Tom and Ellen, if different expressions and languages course, but the dialogues oh so flimsy, as I think yet the final twist of Bowen, their respective marriages Ashmond with Anne, the beautiful dancer in the heart away, and Mister John Brindale, the English lord to the list of conquests even longer than that of Don Juan, is, too, sewn white thread, since in those fifties no musical would have dared say no to the holy sacrament of marriage after having registered his script and provide the public with a purpose to which the genre had not prepared. Definitely worse, because if I had taken this Royal Wedding by the small end of the cold analysis, this bill then being a reflection of his innumerable weaknesses, which, by the way, I could perhaps not totally exclude Jane Powell as his great enthusiasm to interpret Ellen seems somewhat proportional to replace Judy Garland she had to ensure I would have been there that beat up on a film which, in good ninety minutes, is still present, unwind, uncoil, the exact history made of nothing, failing everywhere except in its function to entertain, I was looking for.
Because you still know or remember, that when one embarks on a film of Fred Astaire and his beautiful partner of the moment, it does not, in the hope of finding on its way to some tempting food critics hungry neurons, no, it does so only for Fred Astaire and his beautiful partner in time for the house of happiness that both opened by singing and with great blows of racy little dance and elegant, their bodies fused together by a less acrobatic gymnastics aristocratic, they never failed to add strings of sparkling smiles and winks myriad actions, as if amused by the joy that 'they were or they could give across the screen, not ignoring, for sure, since the shelf registration where they chain up their little dance racy and elegant, the happiness they gave to people. As we go to movies even Fred Astaire for romance, because love films of this actor, he always told through songs languidly whispered, one hand on the heart and a blue flower attached to the lapel of his tuxedo color of night, a blue flower that seemed to wait there, since this outpost distinguished, the answer that would make him a pretty pink dress pinned to a cut in a fabric could not be more chic and covering a body can not can more delightful is pure romance precisely, the romance without making head existential novel of folded pink dream, both cut in this matter a bit muffled in which we would be able to stick from time to time and which, after all, is not so away from the life we suppose, is not it, my darling! Finally, watch a film of Fred Astaire is still able to laugh a waltz, as we can do here, Tom and Ellen having a hard time ensuring their on the boat that takes them to England, and of course, fall under the spell of extremely brilliant dance sequences, an astonishment, an astonishment indeed, that dancer who seemed to melt down the sophistication of these numbers being created especially for him by the ease he had to hide a smile behind the effort and his ability to move on a stage like a cosmonaut of the prepaid weightlessness or land like a man freed from troubles of life.
Because you still know or remember, that when one embarks on a film of Fred Astaire and his beautiful partner of the moment, it does not, in the hope of finding on its way to some tempting food critics hungry neurons, no, it does so only for Fred Astaire and his beautiful partner in time for the house of happiness that both opened by singing and with great blows of racy little dance and elegant, their bodies fused together by a less acrobatic gymnastics aristocratic, they never failed to add strings of sparkling smiles and winks myriad actions, as if amused by the joy that 'they were or they could give across the screen, not ignoring, for sure, since the shelf registration where they chain up their little dance racy and elegant, the happiness they gave to people. As we go to movies even Fred Astaire for romance, because love films of this actor, he always told through songs languidly whispered, one hand on the heart and a blue flower attached to the lapel of his tuxedo color of night, a blue flower that seemed to wait there, since this outpost distinguished, the answer that would make him a pretty pink dress pinned to a cut in a fabric could not be more chic and covering a body can not can more delightful is pure romance precisely, the romance without making head existential novel of folded pink dream, both cut in this matter a bit muffled in which we would be able to stick from time to time and which, after all, is not so away from the life we suppose, is not it, my darling! Finally, watch a film of Fred Astaire is still able to laugh a waltz, as we can do here, Tom and Ellen having a hard time ensuring their on the boat that takes them to England, and of course, fall under the spell of extremely brilliant dance sequences, an astonishment, an astonishment indeed, that dancer who seemed to melt down the sophistication of these numbers being created especially for him by the ease he had to hide a smile behind the effort and his ability to move on a stage like a cosmonaut of the prepaid weightlessness or land like a man freed from troubles of life. 
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